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May 16 - 23, 2008
 on the page…
Follow the Leader
By Walter G. Moss
Catriona Kelly tracks the class struggle to the classroom in her history of Russian children during the modern era.
 on view…
Designing the Cold War
By Svetlana Graudt
A major exhibition on Cold War design opens at London's Victoria & Albert Museum in September. Svetlana Graudt reports.
A Toast to Russia
By Marina Kamenev
An exhibition at S'Art Gallery takes an unusual look at the new president.
 in concert…
Bringing It Back
By Sergey Chernov
Roisin Murphy returns to Moscow for some unfinished business.
 on screen…
Death of a Journalist
By Roland Elliott Brown
A new documentary, "Letter to Anna," charts the life and death of the journalist Anna Politkovskaya. It is unlikely to be released in Russia.
 in review…
Celebration of Ballet
By Raymond Stults
The Benois de la Danse awards featured stars from around the world. The presentation of prizes was accompanied by stunning performances.
Everyday Mysteries
By John Freedman
Vladimir Mirzoyev's production of "Akaky A. Bashmachkin" plunges us into the mystical, supernatural side of Nikolai Gogol's work.
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Image
By Marina Kamenev
"Art Moskva" is exhibiting the works of photographers from The Moscow Times.
Wanted
By Kevin O'Flynn
Vadim pointed to the flag with the drawing of Manchester United 1990s hero Eric Cantona. Just above was an autograph, which Vadim had collected from Cantona when he came to Moscow recently to take part in a beach football competition.
Salon
By Victor Sonkin
Yury Rytkheu, an author from Chukotka, has died in St Petersburg.
In the Spotlight
By Anna Malpas
Roman Abramovich has been lavish with the cash this month. And I'm not talking about him coming to watch Chelsea in the Champions League final next week, although even he probably raised an eyebrow at the cost of a semi luxe at the Hotel Yunost.
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Salon

Dmitry Prigov writes of an universe where nothing is decided and everything is happening here and now.

By Victor Sonkin
Published: July 13, 2007

Dmitry Alexandrovich Prigov, one of the most influential poets of the post-Soviet era, was hospitalized last weekend with a massive heart attack, and the doctors fear for his life. Hoping for the best, his faithful fans all over the world will be re-reading his poems and recalling the joy and laughter of their youth, when Prigov's poems first became widely known.

They are a strange mixture of classical meters, sometimes with direct quotes from the staple schoolbook poems, abrupt dissonances, non-rhyming lines and apparent non sequiturs. Especially characteristic of his poetry is a certain relativism of view. He writes of a universe where nothing is decided and everything is happening here and now. For example, a poem describing the famous Battle of Kulikovo Polye in 1380 changes view several times, first saying "the Russians will win," then saying "the Tatars will win," and vice versa. It ends with an ambivalent, "Well, we'll see tomorrow."

A permanent lyrical hero of Dmitry Alexandrovich's verse (he is one of the few celebrities of the last several decades who still insists on being addressed formally using his patronymic) is called a militsaner, or a badly misspelled policeman. He is a sage and an idiot at the same time. In a sense, that's a role that Prigov himself has tried to play from his first outings on the art scene.

A trained architect, Prigov began his career as an artist, not a writer, and soon became one of the leaders of the so-called conceptualist school. These were the first people in Russia to see performance as a form of art. Recently, Prigov was planning to return to the ideals of his youth and to participate in a performance where he would sit in a wardrobe hauled up the 22 flights of stairs of Moscow State University, reading poems all the way to the top. Unfortunately, illness prevented him from doing this.

Prigov is known for being prolific -- he started writing poems in the early 1960s and wrote several poems every day since, thus making the total number close to 30,000. He often spoke on political and ideological matters, but in such a way that it was impossible to determine whether he was joking. For example, his reaction to the anti-Georgian campaign of last fall was expressed in a short poem: "Georgians were like brothers to us/ Now it seems it's the other way round / Let's not embrace them any more / And find ourselves a new brother. / Who is that going to be? / Turns out we're all Brothers. / We can't escape / The Georgians."

When the times and politics are absurd, absurdity seems to be the only sensible option. And Prigov has provided plenty.

Dmitry Prigov passed away on Sunday, after this article was published.


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